The Big Messy Roadmap
WhiteboardA typographic identity for a small independent publisher, built around one obsessively-drawn serif.
View the projectI draw while people think. Most of my work starts on a whiteboard with sticky notes and ends as a warm, readable map of an idea — the kind you actually want to pin up afterwards.
A typographic identity for a small independent publisher, built around one obsessively-drawn serif.
View the projectTactile packaging and a print system that feels handmade without ever leaving the press.
View the projectA calm, image-led art direction for an audio studio that wanted to sound the way it looks.
View the projectA slow, readable site and a custom type pairing for a neighbourhood wine bar.
View the projectA botanical illustration series and accompanying marks for a tea house's first shelf.
View the projectA friendly, hand-drawn practice — sketchnotes, whiteboard facilitation, and warm little illustrations for people figuring things out together.
I've spent the last decade in and around studios learning that the work I love most is the work I get to touch every part of — the brief, the sketches, the kerning at midnight, the press check. So now I keep things small on purpose.
When I'm not on a project you'll find me drawing letters that go nowhere, collecting paper I don't need, and teaching the occasional type workshop in Lisbon.
“Pippa drew our whole strategy offsite onto one cream sheet and suddenly everyone agreed. Magic, basically.”
I take on a handful of projects each season. If you've got something you care about, I'd love to hear about it — a paragraph is plenty to start.