Cassette Futures
PosterA typographic identity for a small independent publisher, built around one obsessively-drawn serif.
View the projectI make posters, zines, and small-run identities the slow way: one color at a time, paper warm off the roll. Most of it starts as a sketch taped to the wall and ends as a stack that still smells of soy ink.
A typographic identity for a small independent publisher, built around one obsessively-drawn serif.
View the projectTactile packaging and a print system that feels handmade without ever leaving the press.
View the projectA calm, image-led art direction for an audio studio that wanted to sound the way it looks.
View the projectA slow, readable site and a custom type pairing for a neighbourhood wine bar.
View the projectA botanical illustration series and accompanying marks for a tea house's first shelf.
View the projectA two-ink studio run off a single drum machine — I draw, set, and crank everything by hand, in pink and blue, until the registration drifts just enough to feel alive.
I've spent the last decade in and around studios learning that the work I love most is the work I get to touch every part of — the brief, the sketches, the kerning at midnight, the press check. So now I keep things small on purpose.
When I'm not on a project you'll find me drawing letters that go nowhere, collecting paper I don't need, and teaching the occasional type workshop in Lisbon.
“The proofs came back slightly off-register and I asked them to keep it exactly like that. It made the whole thing feel hand-cranked.”
I take on a handful of projects each season. If you've got something you care about, I'd love to hear about it — a paragraph is plenty to start.