Marmalade Skies Jam
PackagingA typographic identity for a small independent publisher, built around one obsessively-drawn serif.
View the projectI draw by hand first and clean it up never quite all the way. Most projects start with a scribbled marker on cream paper and end up as packaging, a logo, or a whole wandering little universe.
A typographic identity for a small independent publisher, built around one obsessively-drawn serif.
View the projectTactile packaging and a print system that feels handmade without ever leaving the press.
View the projectA calm, image-led art direction for an audio studio that wanted to sound the way it looks.
View the projectA slow, readable site and a custom type pairing for a neighbourhood wine bar.
View the projectA botanical illustration series and accompanying marks for a tea house's first shelf.
View the projectA one-person studio drawing letters, marks, and little worlds — for the kind of brands that would rather be remembered than be tidy.
I've spent the last decade in and around studios learning that the work I love most is the work I get to touch every part of — the brief, the sketches, the kerning at midnight, the press check. So now I keep things small on purpose.
When I'm not on a project you'll find me drawing letters that go nowhere, collecting paper I don't need, and teaching the occasional type workshop in Lisbon.
“Posy gave our jam a face so cheerful people buy two so they don't have to throw the jar away. The squiggles do the selling now.”
I take on a handful of projects each season. If you've got something you care about, I'd love to hear about it — a paragraph is plenty to start.